A description of the rear window which works extremely well as a suspense thriller

Rear window cast

I don't think he ever did it more skilfully, or with more gleeful self-awareness, than in Rear Window. Anna Thorwald [4] Uncredited Harry Landers as young man guest of Miss Lonelyhearts [4] Ralph Smiles as Carl, the waiter [4] Fred Graham as detective [4] Cast notes Director Alfred Hitchcock makes his traditional cameo appearance in the songwriter's apartment, where he is seen winding a clock. It's a sweltering New York summer and James Stewart , playing a restless magazine photographer, is cooped up in his West Village apartment with his leg in a cast. Oh man, get out of the way! The murder scene, which you can only appreciate as such on a second viewing, is a masterpiece of suggestion and ellipsis. Romance flourishes, despite a few bumps in the road, and those darker vibes get tempered by a few gratifying scenes of Jeff and Lisa getting serious smooch time. A thriller uses the specific circumstances of a story to generate excitement or suspense. Georges Daniel Auteuil and Anne Juliette Binoche Laurent are the middle-aged upper-class French couple under attack by unseen forces out to intimidate them. Be sure to join the discussion in the comments section below by including any of your favorite suspense thrillers that we may have overlooked, but above all, enjoy the films and be ready to be astonished. Not all of them are killers; everyone else seems to lead perfectly normal lives that Hitchcock enjoys lampooning from time to time. Marrying Grace Kelly might be a drag but it couldn't possibly be as bad as that.

Jeff has suspicions, but he doesn't know for sure. He said the film "develops such a clean, uncluttered line from beginning to end that we're drawn through it and into it effortlessly. I've been keeping a close eye on my neighbours ever since.

rear window analysis

The plot becomes riddled with ambiguities and bourgeois guilt mid the dismay of modern identity. As word of his alleged misdeed spreads throughout the community, so does local hysteria, until it reaches a rattling fever pitch in this chilling glimpse into the darkest side of small town life.

I was nurturing an ambition to visit New York at the time and Rear Window, more than any other film I'd seen, gave me a powerful sense of that city's atmosphere: noisy, breathless, intoxicating — even though the whole thing was filmed inside a Hollywood studio.

He is the rugged, nomadic type who views marriage as an extension of the cast on his leg; she is a Park Avenue socialite who seems ill-adapted to the one-suitcase life of adventure. What stood out for me this time was the film's panoramic view of romantic attachment and its pitfalls.

The purpose of it is sensation, and that it generally provides in the colorfulness of its detail and in the flood of menace toward the end. Hitchcock's film is not 'significant.

Lars thorwald

I was nurturing an ambition to visit New York at the time and Rear Window, more than any other film I'd seen, gave me a powerful sense of that city's atmosphere: noisy, breathless, intoxicating — even though the whole thing was filmed inside a Hollywood studio. Be sure to join the discussion in the comments section below by including any of your favorite suspense thrillers that we may have overlooked, but above all, enjoy the films and be ready to be astonished. Suddenly, Jeff loses the upper hand since he can't run away. A moving and remarkable film, The Hunt makes game of us all. Hitchcock made a career out of indulging our voyeuristic tendencies and he understood, better than any other film-maker, how to excite them. A slow-burn suspense thriller with a lot on its mind, Rear Window is a scathing study of contemporary society with a spy game the viewer gleefully and guiltily takes part in. Romance flourishes, despite a few bumps in the road, and those darker vibes get tempered by a few gratifying scenes of Jeff and Lisa getting serious smooch time. The thrills appear toward the end of the film, when Thorwald catches on to Jeff's little games and starts plotting some payback. Haneke leaves ample clues for the viewer but he obscures them, too. He is the rugged, nomadic type who views marriage as an extension of the cast on his leg; she is a Park Avenue socialite who seems ill-adapted to the one-suitcase life of adventure. Is it all an elaborate put on?
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Rear Window Essay Examples